Mujer de Negro Antes del Teatro

Inspired by Berthe Morisot’s luminous subtlety, Paulina Carretero intertwines her magical realism with impressionist sensitivity. The gesture remains—soft brushstrokes, diffused atmospheres, and the instant suspended between air and emotion.
But now, the figure floats between the visible and the imagined: a contemplative woman looking inward and beyond. Light stops describing and begins to suggest, and time becomes memory. It is Morisot, dreamed by Paulina, in an intimate encounter between intuition and the invisible.